all eyes on me
ALL EYES ON ME
This multimedia approach evokes a sense of connection between the individual and the projected image, blurring the lines between the physical and the virtual, the self and the other. Through this project, we can explore themes such as identity, perception, and the intersection of inner and outer realities. By projecting portraits onto different parts of the body, we can experiment with how the images interact with the contours, textures, and expressions of the human form, creating dynamic and visually striking compositions. The interplay of light, shadow, and movement can add depth and complexity to the photographs, inviting viewers to engage with the images on both an emotional and intellectual level. As viewers contemplate the contrast of the projected portraits and the living canvas of the body, they may be prompted to reflect on their own identities, relationships, and the ways in which we shape and are shaped by the world around us. Ultimately, this photography project offers an opportunity to explore the boundaries of representation and perception, inviting viewers to question assumptions and explore new perspectives on the nature of self and other.
Mentor → Kambiz Shafei
Year → 2019
Collaboration → Audrey Rappold
ALL EYES ON ME
This multimedia approach evokes a sense of connection between the individual and the projected image, blurring the lines between the physical and the virtual, the self and the other. Through this project, we can explore themes such as identity, perception, and the intersection of inner and outer realities. By projecting portraits onto different parts of the body, we can experiment with how the images interact with the contours, textures, and expressions of the human form, creating dynamic and visually striking compositions. The interplay of light, shadow, and movement can add depth and complexity to the photographs, inviting viewers to engage with the images on both an emotional and intellectual level. As viewers contemplate the contrast of the projected portraits and the living canvas of the body, they may be prompted to reflect on their own identities, relationships, and the ways in which we shape and are shaped by the world around us. Ultimately, this photography project offers an opportunity to explore the boundaries of representation and perception, inviting viewers to question assumptions and explore new perspectives on the nature of self and other.
Mentor → Kambiz Shafei
Year → 2019
Collaboration → Audrey Rappold